… and with it a new Picture of The Month. (Don’t forget that while an image is featured, prints are cheaper!)

As Above ... (#2)

(Link to gallery image)

So we go from a shadow last month, to a reflection. Here we see two worlds in one.

The world above  – an arching Victorian glasshouse – is reflected in the surface of a pond, but beneath the surface lies another world. Only where the reflection is broken by the shadow of the overhanging foliage, do we get a glimpse of what lies behind the mirror.

(This was taken in the Conservatory of Flowers in Golden Gate Park, San Fransisco, in case you were wondering)

If you like it, leave a comment.

A couple of weeks ago I finished round 6 of SPARK (the internet project that pairs writers and visual artists) – my third time participating in this event. The results are now up for all to see here, and I can now relate some of my experiences:

SPARK is always an adventure, and this time  was no different. As with round 5, more writers than artists signed up, so I agreed to work with two partners.

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My first inspiration piece came from writer Mary L Tabor – an excerpt from her story “The Burglar” (from her book “The Woman Who Never Cooked“).  Even though it is just an excerpt, the piece is choc full of so many different images and ideas that it was almost overwhelming. Of course, the point of SPARK is not to illustrate the writing but to be inspired by it.  Mary’s work is very personal and emotional, but my images tend to be fairly abstract, and I think in simple shapes, so the challenge was how to marry those two styles. I decided that the best way was to not overthink it, but just run with the  first image that  came to my mind’s eye after reading the story: A simple white triangle on a black background …the beam of a flashlight in a darkened room.

But how to realize that in a photograph?

Normally I would go out to “find” my image, but that was clearly not going to work this time. Without a proper studio and lights I knew I was going to have to improvise.

A makeshift “studio” was set up in my laundry room and I started experimenting. The flashlight beam was harder to capture than I imagined.  I thought blowing talcum powder into the air might do the trick, but all I did was make a big mess!  The answer eventually came from the season – Halloween!  I had a Halloween fog machine stashed in the attic, and the fog turned out to be just enough to catch the beam without obscuring the rest of the scene.

That got the flashlight problem solved, but the image as I’d imagined it was simply not interesting enough as a picture. I needed more.

The final image came through much experimentation, trial and error, and many failures. I eventually decided to become the burglar myself! The darkness and fog allowed my few props to stand out, and the lack of proper photographic lighting (plus the fog!) was a handicap that turned into an advantage, as it gave the image a unique painterly look. The “lighting” was created using just three flashlights, one in my hand, one suspended from the ceiling and one duct-taped to a microphone stand! (The camera remote is in my hand, hidden behind the flashlight!). Here is the final image:

The Burglar

(Click here to see the SPARK6 page)

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My second challenge was to create an image inspired by Meghan Hunt‘s story “The Old Man” – a reminiscence of her late grandfather. The story starts with a memory of him teaching her to play poker at the age of six, and follows her memories of him, in episodes, until his death. The sense I got from the story was one of loss – of a space where a person used to be, and a sense of how we experience time.

Once again, I had a vivid mental image in mind after reading the story – an old antique bed, empty, in an empty room. It could be either an old photograph, or a modern photograph of old things …or both.

My first job was to find that exact scene in real life …and one that I could photograph.

As a result of this particular SPARK challenge I think have now visited most of the historic houses in the area and learned more local history that I ever wanted to know! Most of the lesser known historic houses are only open one or two days a week and staffed by volunteers who are typically retired teachers, exclusively female,  and sometimes even in period costume.  Since only a few people can figure out the odd hours they are open, they don’t get many visitors, so when someone shows up the docents are keen to talk and share ALL the information they have!

After four or five houses, I discovered the scene I was looking for. This was one of the few houses with a bedroom, and also one of the few that was not set up like a museum. It also had the advantage of being an upstairs room in a house staffed by volunteers for whom stairs were difficult …so I pretty much had the run of the place and could take my time. It also made it easy to place my playing cards on the end of the bed without having to explain myself (you can read the story to see how these fit in).

The theme of the story is time and memory. Objects and places exist both in the past and the present. When we see them today, we experience them both as they really are, and as we remember them. Our memories are imperfect, like old photographs, but have deeper meaning. By “aging” the image I wanted to create  ambiguity as to whether the picture represents an old photograph – the past as it really was – or a scene in the present day in which someone is reminded of the past and remembering what used to be.  Here it is:

Not Forgotten

( Click here to see the SPARK6 page)

As always, I’d love to hear your comments…

For my second Spotlight, here’s one of my older images. What the heck is it? Why did I take it, why does it look the way it does, and is there anything it can teach us about the art of photography?

London Eye

(link to gallery image)

So… what is it? This (as the title suggests) is the shadow of one of the gondolas of the London Eye – a giant Ferris wheel erected on the bank of the Thames for London’s Millennium celebration. It’s a major London landmark and has, no doubt, been photographed from about every angle and viewpoint possible,  so to get a unique viewpoint of the monument is pretty hard, and as so often the case, it was pure luck that I was able to capture the image you see here.

Rides on the “Eye” must be scheduled, and popular tourist times during the day get booked up very quickly. The only time I was able to schedule was at sunset and, with the sun almost at the horizon, my eye was immediately drawn to the shadow of the wheel cast on the adjacent historic buildings.

So why did I take this photograph, and why does it look the way it does? As well as indulging my passion for indirect observation, I was struck by the juxtaposition of old and new. The ultramodern wheel and the old stone building on which it’s shadow was cast. The warm glow of the sunset light was very appealing, and I also liked the way the light shining through the glass gondola is focused inside it’s shadow. Finally, I was interested by the way the thick glass of the gondola through which the photo was taken subtly distorts the image.

This image shows that it’s possible to find a new angle in even the most photographed of tourist attractions!